Dear People of Christ Church,
I’m writing this afternoon thinking of all the newness of the year at the same time as I think of the way the past stays with us. The Stations of the Cross we received from St John’s Bowdoin Street continue to linger at the back of the church and still we’re in conversation about what we’ll do with our new guests. Praying the Stations of the Cross (away from Jerusalem, that is) is a Christian practice dating back about 500 years. In it, we trace the events of Christ’s passion. The prayer form we use is found in the Episcopal Book of Occasional Services. Representations of them are often hung in churches to offer a visual image to the prayers. The “original” stations of the cross are in Jerusalem—where Jesus is believed to have actually walked—and called the Via Dolorosa or Way of Sorrows. Those have been a pilgrimage site since the 5th century. (more about all of this on Wikipedia, of course.)

1: Where did they come from?
When a parish closes or merges with another congregation, the diocese has an open invitation to other communities to request items from the closed churches. Over the summer, Sasha and Phil Killewald visted the open house at St John’s on our behalf. St John the Evangelist has an amazing history—they were the parish that Harriet Beecher Stowe’s father was a member of. Isabella Stewart Gardener went there, too. The monks now in Cambridge worshipped there as well when they first came to the United States from England. And our own Marjorie Hartman’s father was a member there, too, which led to her encouraging us to take them as well! We’re continuing to learn more—Erin Jensen has been doing some research on the studio that produced them in the late 1800’s (around the same time Christ Church was built).

2: How was this decision made?
Vestry made the decision after an open call for congregational input. During the month of September we published pictures and announcements in the ecrier and announced on Sundays that the congregation should offer input to the vestry. We offered a field trip to St John’s to visit them (no one took us up on it). After 3 weeks of open input, on September 22 the vestry had a lively conversation, considering many of the questions I mention here and considering the congregational input. The group unanimously voted to invite them to come. Because St John’s wasn’t yet formally closed, they weren’t available until November.

3: Isn’t it a little, um, “Catholic” to have the Stations of the Cross?
You don’t see them in every Episcopal church, but there is nothing inherently Roman Catholic about them. I grew up in an Episcopal church that did stations of the cross every Friday in Lent—they still do. Our stations come from an Episcopal church. It’s true that the Roman Catholic Church has a strong legacy praying the events of Christ’s Passion that the stations invite. Many Episcopal Churches don’t have them—as, indeed, Christ Church didn’t until 2008 when we installed the small photos of the ones from Westminster Cathedral since 2008 (we sometimes left them up through the year, and sometimes took them down after Lent).

4: Won’t it change the look of the church to have so much white plaster up?
It’s possible, but my sense is that the windows and the brick will hold their own. The Stations of the Cross are large, but our church is very very large. Given the layout of the church and windows, the sight lines toward the front of the church won’t be changed—they won’t be hung as close up to the front as the font or the piano, for example. And since they’re white, the color on the windows would be dominant.

5: Some of them are broken. Won’t it be expensive to fix them? And how are they getting hung, anyway?
We’ve received several donations specifically for the Stations of the Cross. The expenses are not coming out of the parish budget. Funds will go toward building frames that will make it possible to hang them, and the frames will support them to make them more durable as well. We also have some leads on professional art conservators, who might be asked to weigh in as well. We are still exploring whether it makes sense to hang them on existing infrastructure or if we will anchor them in the brick work.

6: What if it’s terrible?
If it’s terrible, we can always do something different. The decision on final placement hasn’t been made yet—stay tuned. And, as we said in the open comment period, please talk to your vestry!

Blessings,
Sara+